Triple Identity: Ann K. Chou as Scientist, Access Designer, and Multi-Sensory Artist—interweaving disciplines and lived experience.
✨ Easy Read Bio
Hello! I’m Ann. I’m an Oral Deaf and neurodiverse artist-scientist and access designer.
What is Oral Deaf? As an Oral Deaf person with severe-to-profound hearing loss, I primarily use spoken language (Cantonese and English) and visual-spatial modes—such as pictorial literacy and speech-reading—rather than signed languages like ASL.
I am a d/Deaf maker whose first language is pictorial, grounded in Chinese literacy.
I make lanterns out of fabric, paper, light, and reclaimed materials.
I build non-verbal performances using shadow, texture, and movement.
My art welcomes everyone. You do not need to hear or speak to enjoy it.
📖 The Narrative
From Microscope to Lantern Light
My creative path began in microscopy photography during Medical Laboratory Science—capturing unseen landscapes of life. Working in healthcare and informatics (2000–2020), I explored how light and texture can travel across diverse bodies.
My approach to materials is shaped by 20 years in medical laboratory science and health IT. Although my formal lab work ended in 2009, I remain an experimenter at heart—testing how materials respond to prolonged rain, wind, and outdoor exposure across the West Coast.
My lantern practice is rooted in childhood play and co-making with my mother, where repair and reuse were learned informally. My skills were developed primarily through sustained volunteer immersion with Vancouver Illuminares, where I spent more hours building lanterns than in my paid lab work.
Annreflection Studio
Annreflection Studio is where material meets meaning. I use upcycled paper, vines, and mesh to make space for stories beyond words. I believe materials, like people, can be broken and reformed to carry light.
🧠 The Philosophy
🛠️ Lineage-Driven Methodology: Lanterns as Living Surfaces
My practice treats lanterns as living surfaces rather than finished objects. Materials are tested in real conditions—rain, wind, repeated transport—and refined through iterative repair rather than replacement.
Organic matter and post-consumer waste are combined for balance—allowing scent, texture, and light to emerge as sensory access points. This positions lanterns as ecological witnesses, carrying shared labor into public space.
Core Methodologies
Draw-Aloud Symptom/s (DAS)
A visual wandering protocol and self-explanation model for mapping internal narratives through live sketching.
Moving-Light Animation
Animating stories by moving handheld lights over stationary lanterns to create characters in motion.
Lanterns as Social Characters
Using modular lanterns in public spaces to facilitate non-verbal interaction and community connection.
Accessibility as Creative Foundation
As a d/Deaf and neurodivergent artist, I prioritize design for inclusion, not afterthought. My performances are often non-verbal, using scent, texture, and light for multi-sensory access.
Art × Technology as Ethnography
I see technology as expressive beings—metaphorical butterflies or altars that surface emotional dimensions of care. My research at SFU (MSc, 2024) explores how technology reflects how we imagine together.
Technology Is Never Neutral
I view paper and light as “slow technologies” that invite care rather than control.
⚖️ The Evidence
Selected Exhibitions & Performances
Eco-Illuminessence: A Sensory Crossing (2025)
Xchanges Gallery, Victoria | BC Arts Council Awarded. Immersive hybrid performance integrating back-lit Sumi-e curtains and animal-lantern characters.
Spoons (Work-in-Progress) (2022–2024)
Disability and access-led pacing series featured at Vines Art Festival and Vancouver Outsider Arts Festival.
Feminist Dragonboat (2024)
Site-responsive lantern installations at Winter Arts Festival Victoria and Renfrew Ravine Moon Festival.
Education
MSc, Interactive Arts & Technology, SFU (2024). Thesis: Draw-Aloud Symptom/s.
BC Culture Days Ambassador (2023).
Health IT & Medical Lab Specialist (2000–2020).
🤝 Let’s Collaborate
Build Access and Meaning
I welcome commissions, storefront activations, and cross-sector collaborations at the intersection of art, accessibility, and community care. With a background in healthcare and inclusive design, I bring a systems-informed approach to lantern-based artmaking.
📬 Stay Connected
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